I usually turn off Wheel of Fortune before they can get to Fortune (you know: Wheel! Of! TV off.) and I tend to think of its guests as people not smart enough to be on Jeopardy, Wheel’s 7:00 syndicated lead-in, but every once in a while I leave it on long enough to watch Vanna walk all the way across that stage and to hear Pat introduce the first glorified Hangman puzzle of the night, and then sometimes it just stays on til the end.
The other night, when such a thing happened, one of the themes or special trips or whatever the hell they do on that show produced a particularly offensive graphic called the “Exotic Far East.” The lettering approximated bamboo and was set against some kind of rice-paddy background. And was there a gong* or does my memory insert one? After this little display of Orientalism the camera cuts to Pat Sajak (in banter, a far superior host to Alex Trebek, but he lacks Alex’s socially inept brand of charisma—my family and I like to make fun of Alex but I think we’d all be very, very sad if he left) and Pat, glib as ever, muses, “Do they call us the Exotic Far West?” Pause. “Anyway–“ and the show went on.
It was the briefest moment of lucidity in what I guess I’d call the realm of mainstream culture as opposed to what I guess I’d call the realm of cultural criticism. Words like “exotic” and “mysterious,” images like chopsticks and dragons and fortune cookies, sounds like gongs* (Andrew Ti knows what I’m talking about) remain entrenched and are the lazy man’s racist stand-in for East Asia (and, at ESPN, for Palo Alto). I both abhorred and appreciated this game-show moment because, while the graphic and segment title were annoying, for just a second, Pat shook himself as if awakening from a dream, looked around, and said, “What is happening? Where am I? Why should the East be exotic?” And then sold some vowels.
Pat, it’s appreciated, now keep on hosting your mediocre game show. Vanna, you anti-feminist icon, don’t even get me started on you.
– “Community” Season 1 Episode 1: intro to Senor Chang
– How to Make a Chinese or Japanese Book Cover, by James Morrison (The Society Pages)
– “Message from a Nightingale” scene, The Drowsy Chaperone, 2006 Broadway musical
*Musician’s Note: The type of gong used to produce the sound that typically accompanies terrible stereotypes is called a “tamtam.” It makes a crash-like wash of noise, as opposed to the “nipple” gong which has that Zen-like (dang! now I’m doing it) low-pitched ring.